Publications.

Monograph

Domestic Space in Britain, 1750-1840: Materiality, Sociability and Emotion. Forthcoming, Bloomsbury Academic (2021). 

 

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Articles

‘The Sister Arts: Textile Crafts between Paint, Print and Practice’, Journal for Eighteenth-Century Studies, 43:2 (2020), pp. 139-159 https://doi.org/10.1111/1754-0208.12685.

 

‘Representing Camp: Constructing Macaroni Masculinity in Eighteenth-Century Visual Satire’, in E. M. Kugler & U. Klein, eds. Eighteenth-Century Camp, special issue of Aphra Behn Online: Interactive Journal for Women in the Arts, 1640-1830 (Spring 2019) https://doi.org/10.5038/2157-7129.9.1.1171.

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‘Reflective and Reflexive Forms: Intimacy and Medium Specificity in British and American Sentimental Albums, 1780-1850’, Journal 18, 6 (2018) http://www.journal18.org/3036.

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‘Craft(ing) Narratives: Specimens, Souvenirs, and “Morsels” in A la Ronde’s Specimen Table’, Eighteenth-Century Fiction, 31:1 (Fall, 2018), pp. 77-97. https://www.muse.jhu.edu/article/704843.

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Special Issue

With Katie Faulkner, ‘Making Masculinity: Craft, Gender, and Material Production in the Long Nineteenth-Century,’ special issue of Nineteenth-Century Gender Studies, 14:2 (2019). Includes ‘Introduction’, with Katie Faulkner. http://www.ncgsjournal.com/issue142/issue142.htm.

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Essays 

‘Space(s) of Love’, in Kathryn Cutler-Mackenzie & Ben Caro, Love/Line (Forthcoming, 2021). 

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‘Cut/Copy/Paste’, exhibition text for Sarah Eyre, Cut/Copy/Paste, Leeds Arts University (7 October-11 November, 2019). 

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‘Collage before Modernism’, in P. Elliott, Cut and Paste: 400 Years of Collage, (Edinburgh: National Galleries of Scotland Publishing, 2019).

Book nominated for a Creative Edinburgh Award. 

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'Taste à-la-Mode: Consuming Foreignness, Picturing Gender’, in Heidi Strobel & Jennifer Germann eds. Materializing Gender in Eighteenth-Century Europe (London: Routledge, 2016). 

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